Ryan Guzling is starring in a new movie about the life story of the American astronaut, Neil Armstrong, who was shown at the opening of the Venice Film Festival 2018.
The life story of Neil Armstrong, the first person to step down the surface of the moon, mixes the impressive courage, with the tragedy, and by winning, which makes it of course a candidate to be a fertile material for a film of the traditional school of Hollywood, from captivating speeches, strong music and noble ideas.But the film, which was called "The First Man", was not pleased with these films.
The film is directed by Damian Chazel (Director La La Land) and the Josh Singer scenario (Spot Light) adopted simplicity as a missile that aims to escape the gravity of the earth by getting rid of every weight that is not required.
The dialogue is at its minimum, and there is no place for a background that explains the course of the film, while the film was satisfied with the basic characters, even Major Baz Aldrin (his role Korean Stroll) who took on the side of Armstrong their first steps on the moon barely appears in the movie, and Mike Collins (Lucas Haas) who ledThe tropical vehicle hardly appears at all.
The film does not mention Armstrong's tournaments during the Korean war..With the film, the "First Man" attracts the viewer strongly because he relied on a careful study that made him very realistic, and even dazzles the viewer and crowns his feelings to the point of crying.
The film is brief like the Armstrong himself, which is performed by Ryan Guzlin, the most brilliant actors on the scene, which is totally suitable for expressing the pilot, the intelligent and skillful of the officer of his feelings to the most distant, while swinging in the air on board his plane, or sipping beer in the kitchen of his home, who when he speaks toHis young appears like someone who makes a press conference, and when he speaks a press conference, it appears like someone who resists interrogation at the hands of the enemy intelligence..
Armstrong is a husband who shares his wife Janet, a good life (she plays the role of Claire Foy - another actress who expresses one sharp look more than most actors, even if they singled out three dialogue pages) and their happiness does not depend on excessive expression or speech, but rather spend most of their time within facilities belonging to the space and aviation agencyAmerican.
Perhaps this stability is the closest to the stale.
The film follows its pioneer in the sixties of the last century, during the "Gimenai" program in charge of placing two space vehicles in their orbits, and even the Apollo program aimed at reaching the moon, expressing huge momentum of the pressure and the risk of a vehicle test, the first of its kind.
تخطى البودكاست وواصل القراءةالبودكاستمراهقتي (Morahakaty)Teenage taps, from the presentation of a dignity as a vehicle and prepared by Mays Baqi.
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The pioneers are thrown into narrow spaces surrounded by sharp metal surfaces that connect them to their seats, safety belts similar to which cheap flight passengers are subjected to, and the film hardly shows the full vision of a plane or a missile, but the director focuses on the viewer of the cockpit of the cock.
Photographer Linas Sandgrin affects very close scenes until you see the wrinkles of the face and its details, while the I-Ling voice official prefers the sudden transition from silence to the hustle, which enhances tension until the most accustomed trips appear like being inside one of the staff of an office wardrobe over a mountain slope, while thunder is ravagedOutside!
These experimental trips are not only annoying, but sometimes lead to death, and the film witnesses two funerals while we know that several other funerals took place outside the scene as if he warns the viewer not to relate to any of the characters so that he does not shock it suddenly..
And when the Apollo program reaches the stage of declining on the surface of the moon, the choice of Armstrong as a leader is not only for his composure and the correctness of his decisions, but also because there are no survivors of the pioneers who are able to alive..
The viewer realizes the extent of the enormity of these sacrifices, which are the sacrifices that the film is going through, and also Armstrong does.
Perhaps the viewer thought that it was better in the film to give way to the feelings of mysterious with every tragedy, but the "first person" rushes between the event and the other with great speed and great focus.
Although the film does not stand long in front of the risks that Armstrong takes, the sequence of events remains in almost permanent tension.
Armstrong and his wife also appear in constant tension, as they realize that he will continue the program, even if it is at the end, which is an implicit awareness without one of them uttered a word in this regard..
For years of bridges and confrontation of difficulties behind the scenes is worthy of moving feelings more than scenes of tension, attraction, tears, crying and reconciliation between the spouses, which could have permeated different scenes of the film.
Mostly, Guzlling nor Foy will have prizes for their distinguished performance in the "first person" because the performance does not depend on dazzling, but it is worthy in essence in any prize for his superpower in the framework in which he was placed..
What applies to the performance of the two heroes also applies to the movie as a whole, being a first -class artwork.